The white bird essay

In the forest shade, plant is crooked, sprawling, and vine-like, with many stems from the base. In the open, it becomes a nearly symmetrical small tree 5–35 ft. high, with one or several trunks. Leaves nearly circular, to 6 in. across, with 5–11 lobes; red tinted when new, light green as they mature, then orange, scarlet, or yellow in fall. Tiny reddish purple spring flowers are followed by winged red seeds. Let it go untrimmed to make natural bowers, ideal setting for ferns and woodland flowers. Use under a canopy of tall conifers where its blazing fall color offers brilliant contrast. Can be espaliered against shady side of a wall. Its contorted leafless branches to make an intricate pattern in winter.

The notion that art is the mirror of nature is one that only appeals in periods of skepticism.  Art  does not imitate nature, it imitates a creation, sometimes to propose an alternative world, sometimes simply to amplify, to confirm, to make social the brief hope offered by nature.  Art is an organized response to what nature allows us to glimpse occasionally . Art sets out to transform the potential recognition into an unceasing one.  It proclaims man in the hope of receiving a surer reply…the transcendental face of art is always a form of prayer .

The peacock has been a prominent feature in Indian literature as its resplendent beauty is a source of inspiration for many. In popular legends, when the peacock displays its glorious plume, it’s a sign of rain.  They have iconic status as the carrier animal of the Hindu god Kartikeya. Lord Krishna was always depicted with a peacock feather in his headdress. In Buddhist philosophy the peacock represents wisdom. The peacock and its feather motifs are prominent features in Mughal architecture. The peacock and the peacock feather is still a popular motif to be used in logos, textile patterns as well as designs.

The white bird essay

the white bird essay

Media:

the white bird essaythe white bird essaythe white bird essaythe white bird essay